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Two floors play host to a permanent collection and a temporary exhibition.
COLLECTION 2 . 0
With the 30 or so works shown during the opening, the museum begins to build with time what it hopes will be a collection to reflect our era, the 2.0 culture epoch.
A cosmopolitan society fosters an individual awareness of one’s collective role.
MIMA’s acquisition policy is built on the principles of iconoclasm and empathy that define this new identity, with its multiple ramifications that set it apart from the traditional canons of the creative domains. The continued interest from artists to belong to MIMA’s collection comes from outside the codified world of contemporary arts.
Like an impressionistic painting, the collection and its place in history is rather vague, but clearly present nonetheless. Each of the exceptional works have been selected by a somewhat eclectic approach and as a result each of them opens the door to an artistic narrative of their own. Together however, they each add an extra dimension to the ensemble of works.
Culture 2.0 started life at the end of the 90s with the advent of a double technological revolutionon the one hand renewable energies and onthe other new ways of communicating (mobile phones, digital photography, Internet, low budget travel) – which changed our perception of reality forever more. The world became a global village and the city trip an excuse to wholly experience a city rather then just visit it like a living museum. Globetrotters share their posts and pictures on the internet- trendy quarters of cities whose walls are covered with graffiti and where the pulse of music can be heard day and night.
A generation of artists representing a new civilian identity. The new means of communication stimulated an already strong interconnectivity between different subcultures, numerous young artists extend their field of expression further into new subcultures, meeting new audiences and commercial opportunities on the way. Skateboarding, contemporary art, street art, graffiti, surfing, tattooing, comics, graphic design, electro music, punk rock.. mixing of genres has become the norm, artists adapt themselves to new contexts and communication becomes an art form in itself.
MOMO Untitledview detail
Julien Cadou / Earl Untitledview detail
HELL'O Untitledview detail
Daniel Johnston Untitledview detail
Poch First Belgian Punk Expoview detail
FAILE Untitledview detail
Sozyone Gonzalez Grisbiview detail
Parra Tomatoview detail
Mobstr Nothing’s Changedview detail
Brecht Vandenbroucke White Cube 013 + 013 bisview detail
Antwan Horfee The Feastview detail
Steve Powers Dishes or Dieview detail
David Shrigley Untitled (Nice Guy)view detail
Maya Hayuk Multiverseview detail
EB Itso Trespassers Will Be Forgivenview detail
Swoon Edlineview detail
FAILE Time PPRview detail
Atelier Pica Pica Untitled (P6)view detail
FUZI UVTPK Ultimate Violanceview detail
FUZI UVTPK Ignorant Styleview detail
HuskMitNavn Policeman with Lighterview detail
Sixe Paredes Cosmo Visionview detail
Alicia McCarthy Untitledview detail
Barry McGee Untitledview detail
Katsu Grouchview detail
Katsu Bad Intention Good Feelingsview detail
Nicolas Karakatsanis Untitled #21view detail
Nicolas Karakatsanis Untitled #20view detail
Paul Wackers I’d Like To Walk Around Your Mindview detail
Ari Marcopoulos Untitledview detail
Escif Banalizationview detail
Escif Credit Warview detail
Escif Misiles x Peaceview detail
Mon Colonel and Spit Air de Parisview detail
Todd James Mommy, I Want To Be Good Nowview detail